A♯ minor 7 (A♯m7) — A♯, C♯, E♯, G♯ — is A♯ minor with a minor 7th on top. Four sharps plus the sharp-of-sharp E♯ (enharmonic to F). The chord is the iim7 of G♯ major (theoretical) and the vim7 of C♯ major. In practice, B♭m7 (the enharmonic spelling) is universally used in published music.
Intervals
The A# minor 7 chord stacks two thirds on the root. Each interval and its size in semitones:
- A#→C#minor 3rd3 semitones
- C#→E#major 3rd4 semitones
- E#→G#minor 3rd3 semitones
On the keyboard
Each note of the A# minor 7 chord highlighted on a piano. Pitch class is what matters — any octave works.
On the guitar
One voicing of the A# minor 7 chord on a six-string guitar fretboard.
- 1A#
- ♭3C#
- 5E#
- ♭7G#
Common mistakes
A♯m7 has E♯ as its fifth — same pitch as F natural. The chord uses every kind of accidental in dense sharp-key territory. In practical music the spelling is virtually always replaced by B♭m7. Only Bach's systematic key cycles in the Well-Tempered Clavier give this exact spelling proper musical use.
In context
A♯m7 doesn't function as a working chord outside Bach's WTC and very dense chromatic Romantic music. The enharmonic B♭m7 covers all the practical use cases.
Drill it
The A# minor 7 chord is one of 48 in the Chord Trainer. Open the full trainer to practice it alongside related chords with timing and best-time tracking.
Open the Chord Trainer →Or try today's Etudle puzzleRelated
Frequently asked
- What notes are in an A♯m7 chord?
- A♯m7 contains four notes: A♯ (root), C♯ (minor third), E♯ (perfect fifth — same as F), and G♯ (minor seventh).
- Is A♯m7 the same as B♭m7?
- Yes, enharmonically — same four pitches. A♯m7 (seven sharps including E♯) is essentially never written in practice; B♭m7 (five flats) is the universal spelling.
- Why is the fifth E♯ instead of F?
- The minor 7th chord stacks thirds on each scale-letter from the root. A♯ minor uses letters A-C-E-G; the fifth lands on the E letter, which becomes E♯ when raised a half step.
- When would I see A♯m7 in real music?
- Essentially never as a working chord symbol. The spelling appears only in Bach's systematic key explorations (the WTC) and in dense chromatic late-Romantic music.