Dmaj11 — D, F♯, A, C♯, E, G — is a major 11th chord: stacked thirds up through the 11th — maj7 + 9th + 11th. In practice often voiced without the 3rd to avoid the avoid-note tension between the 3rd and the 11th.
Intervals
The D major 11 chord stacks two thirds on the root. Each interval and its size in semitones:
- D→F#major 3rd4 semitones
- F#→Aminor 3rd3 semitones
- A→C#major 3rd4 semitones
- C#→Eminor 3rd3 semitones
- E→Gminor 3rd3 semitones
On the keyboard
Each note of the D major 11 chord highlighted on a piano. Pitch class is what matters — any octave works.
On the guitar
One voicing of the D major 11 chord on a six-string guitar fretboard.
- 1D
- 3F#
- 5A
- 7C#
- 9E
- 11G
Common mistakes
The defining note is the 11th (G). It sits more than an octave above the root, which is why the chord needs a wide voicing — in tight piano voicings the 11th usually appears in the top register while the root and lower triad tones cluster below.
In context
Functions as an extended Imaj11 in modal jazz; the 11th is often emphasised over the 3rd for a lydian colour.
Drill it
The D major 11 chord is one of 48 in the Chord Trainer. Open the full trainer to practice it alongside related chords with timing and best-time tracking.
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Frequently asked
- What notes are in a Dmaj11 chord?
- Dmaj11 contains six notes: D, F♯, A, C♯, E, G.
- How is Dmaj11 different from Dmaj7?
- Dmaj11 adds the 11th (G) on top of the underlying 7th chord. The 11th extends the chord into the next octave and adds harmonic colour.
- When is Dmaj11 used in music?
- Functions as an extended Imaj11 in modal jazz; the 11th is often emphasised over the 3rd for a lydian colour.