E half-diminished (Em7♭5 or Eø) — E, G, B♭, D — is the iiø7 of D minor, one of the most common minor keys in classical and jazz music. The chord shows up at every D-minor cadence in standard repertoire — Bach's D-minor toccatas, Mozart's K. 397 Fantasia, countless jazz tunes.
Intervals
The E half-diminished chord stacks two thirds on the root. Each interval and its size in semitones:
- E→Gminor 3rd3 semitones
- G→Bbminor 3rd3 semitones
- Bb→Dmajor 3rd4 semitones
On the keyboard
Each note of the E half-diminished chord highlighted on a piano. Pitch class is what matters — any octave works.
On the guitar
One voicing of the E half-diminished chord on a six-string guitar fretboard.
Common mistakes
Em7♭5 has E-G-B♭-D. The flat fifth (B♭) is what distinguishes it from Em7 (which has B natural). The natural seventh (D) distinguishes it from Em6 (which would have a different fifth). The chord sits comfortably under the hand on piano: E-G-B♭ is white-white-black, plus D on top.
In context
Em7♭5 → A7 → Dm is the ii–V–i in D minor — the cadence in every D-minor jazz standard. "Solar" (Miles Davis) opens with exactly this chord. Bach's D-minor Toccata and Fugue uses Em7♭5 as a primary cadential preparation.
Drill it
The E half-diminished chord is one of 48 in the Chord Trainer. Open the full trainer to practice it alongside related chords with timing and best-time tracking.
Open the Chord Trainer →Or try today's Etudle puzzleRelated
Frequently asked
- What notes are in an E half-diminished chord?
- E half-diminished contains four notes: E (root), G (minor third), B♭ (diminished fifth), and D (minor seventh).
- How does Em7♭5 resolve?
- In D minor: Em7♭5 → A7 → Dm. The chord prepares the dominant A7, which then resolves to the Dm tonic.
- Is Em7♭5 the same as Em7?
- No — different chords. Em7 (E-G-B-D) has a perfect fifth; Em7♭5 (E-G-B♭-D) lowers that fifth a half step, producing the half-diminished colour and the iiø7 function in D minor.
- Where does E half-diminished appear in music?
- In D-minor cadences throughout classical and jazz literature: Bach's D-minor works, Miles Davis's "Solar," "Stella by Starlight," and any standard with a D-minor turnaround.