— A minor 6th triad —

F minor 6 chord

Notes: F · Ab · C · D

Practice this chord in the trainer →

Fm6 — F, A♭, C, D — is an F minor triad with an added major sixth. The chord is the i6 of F minor and is enharmonic to D half-diminished. Beethoven's "Appassionata" Sonata uses related minor tonic colours; jazz uses Fm6 as a final cadence in F-minor tunes.

Intervals

The F minor 6 chord stacks two thirds on the root. Each interval and its size in semitones:

  • FAbminor 3rd3 semitones
  • AbCmajor 3rd4 semitones
  • CDmajor 2nd2 semitones

On the keyboard

Each note of the F minor 6 chord highlighted on a piano. Pitch class is what matters — any octave works.

On the guitar

One voicing of the F minor 6 chord on a six-string guitar fretboard.

0123456789101112131415eBGDAE
  • 1F
  • ♭3Ab
  • 5C
  • 6D

Common mistakes

Fm6 has D natural as its sixth — borrowed from F Dorian (which has D as the raised 6th of F natural minor). The chord is enharmonic to Dm7♭5; same four pitches, different harmonic function. On guitar, Fm6 is typically a 1st-fret E-shape barre with the standard m6 voicing adjustments.

In context

Fm6 is the i6 of F minor (often used as a final tonic in F-minor jazz). The cadence Gm7♭5 → C7 → Fm6 closes many F-minor tunes. "Stella by Starlight" passes through F-minor harmony at moments; Fm6 voicings appear at related cadential points.

Drill it

The F minor 6 chord is one of 48 in the Chord Trainer. Open the full trainer to practice it alongside related chords with timing and best-time tracking.

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Related

Frequently asked

What notes are in an Fm6 chord?
Fm6 contains four notes: F (root), A♭ (minor third), C (perfect fifth), and D (major sixth).
Is Fm6 the same as D half-diminished?
Enharmonically yes — same four pitches. Fm6 has F as root (minor tonic); Dø has D as root (ii of C minor).
How is Fm6 different from Fm7?
Only the top note changes. Fm6 has D (major sixth); Fm7 has E♭ (minor seventh). The 6 sits a step lower than the m7.
When does Fm6 appear in jazz?
As a final tonic in F-minor ballads and as an enharmonic pivot via D half-diminished. Beethoven used related m6 colours in his "Appassionata" Sonata; jazz pianists from Bill Evans onward use Fm6 voicings throughout F-minor literature.