F♯ dominant 7 (F♯7) — F♯, A♯, C♯, E — is F♯ major with a minor 7th. The chord is the V7 of B major and the V7 of B minor. Three sharps plus the natural E (the chord's 7th); the E is what gives F♯7 its "needs to resolve" character. The chord is enharmonic to G♭7 in flat-side notation.
Intervals
The F# dominant 7 chord stacks two thirds on the root. Each interval and its size in semitones:
- F#→A#major 3rd4 semitones
- A#→C#minor 3rd3 semitones
- C#→Eminor 3rd3 semitones
On the keyboard
Each note of the F# dominant 7 chord highlighted on a piano. Pitch class is what matters — any octave works.
On the guitar
One voicing of the F# dominant 7 chord on a six-string guitar fretboard.
- 1F#
- 3A#
- 5C#
- ♭7E
Common mistakes
F♯7's 7th is E natural — a half-step lower than F♯maj7 (which has E♯). The natural E inside a sharp-key context is the chord's identity. Replacing E with E♯ produces F♯maj7 (a stable tonic). On guitar, F♯7 is most often a 2nd-fret E-shape barre.
In context
F♯7 is the V7 of B major (F♯7 → Bmaj7 is the cadence in every B-major jazz tune) and the V7 of B minor. In ii–V–i in B minor, the progression runs C♯m7♭5 → F♯7 → Bm. The chord is also a common tritone substitute for C7 in C-major reharmonisations.
Drill it
The F# dominant 7 chord is one of 48 in the Chord Trainer. Open the full trainer to practice it alongside related chords with timing and best-time tracking.
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Frequently asked
- What notes are in an F♯7 chord?
- F♯7 contains four notes: F♯ (root), A♯ (major third), C♯ (perfect fifth), and E (minor seventh).
- Is F♯7 the same as G♭7?
- Yes, enharmonically — same four pitches. F♯7 (three sharps + natural) lives in B-major contexts; G♭7 (six flats + natural) lives in flat-side music.
- How does F♯7 resolve?
- F♯7 → Bmaj7 is the V → I cadence in B major. F♯7 → Bm is the V → i cadence in B minor. Both use the same dominant chord; the resolution differs only in the third of the tonic chord.
- When is F♯7 a tritone substitute?
- F♯7 can substitute for C7 in cadences to F major (since C7 and F♯7 share the same tritone — E to B♭ / E to A♯). The substitution creates chromatic bass motion from F♯ down to F.