Gmaj13 — G, B, D, F♯, A, E — is a major 13th chord: stacked thirds through the 13th — maj7 + 9 + 13 (the 11th is conventionally omitted to avoid clashing with the 3rd). The full-stacked tonic sonority of advanced jazz harmony.
Intervals
The G major 13 chord stacks two thirds on the root. Each interval and its size in semitones:
- G→Bmajor 3rd4 semitones
- B→Dminor 3rd3 semitones
- D→F#major 3rd4 semitones
- F#→Aminor 3rd3 semitones
- A→Eperfect 5th7 semitones
On the keyboard
Each note of the G major 13 chord highlighted on a piano. Pitch class is what matters — any octave works.
On the guitar
One voicing of the G major 13 chord on a six-string guitar fretboard.
- 1G
- 3B
- 5D
- 7F#
- 9A
- 13E
Common mistakes
The defining note is the 13th (E). It sits more than an octave above the root, which is why the chord needs a wide voicing — in tight piano voicings the 13th usually appears in the top register while the root and lower triad tones cluster below.
In context
Functions as the fully-extended Imaj13 — a complete tonic sonority in modern jazz harmony.
Drill it
The G major 13 chord is one of 48 in the Chord Trainer. Open the full trainer to practice it alongside related chords with timing and best-time tracking.
Open the Chord Trainer →Or try today's Etudle puzzleRelated
Frequently asked
- What notes are in a Gmaj13 chord?
- Gmaj13 contains six notes: G, B, D, F♯, A, E.
- How is Gmaj13 different from Gmaj7?
- Gmaj13 adds the 13th (E) on top of the underlying 7th chord. The 13th extends the chord into the next octave and adds harmonic colour.
- When is Gmaj13 used in music?
- Functions as the fully-extended Imaj13 — a complete tonic sonority in modern jazz harmony.